It is messy, ambitious, occasionally ridiculous, and absolutely essential. It is the sound of five young men from Orange County realizing they could be anything they wanted—so they decided to be everything at once.
In the pantheon of 21st-century heavy metal, few bands have taken as many risks or polarized their fanbase quite like Huntington Beach’s own Avenged Sevenfold (A7X) . While Waking the Fallen put them on the map and City of Evil made them stars, it is their fourth studio album—commonly referred to as “The White Album” or the ”Avenged Sevenfold” album —that stands as their most definitive artistic statement. avenged sevenfold avenged sevenfold album
Released on October 30, 2007, the Avenged Sevenfold album was a high-wire act without a net. Following the exhausting, decade-defining tour for City of Evil , the band—vocalist M. Shadows, guitarists Synyster Gates and Zacky Vengeance, bassist Johnny Christ, and the late, great drummer The Rev—made a conscious decision to tear up their own rulebook. By 2007, Avenged Sevenfold had grown tired of being pigeonholed. Critics wanted Waking the Fallen Part II —more double bass, more screaming, more breakdowns. Instead, the band delivered a self-titled opus that spat in the face of expectation. While Waking the Fallen put them on the
A Little Piece of Heaven , Afterlife , Critical Acclaim guitarists Synyster Gates and Zacky Vengeance