(2017) is that film.
You may not have heard of it. In the West, it was largely overshadowed by the bombast of Dunkirk . But in Turkey, and now across the globe via Netflix, this true story of a Turkish soldier and a Korean orphan during the Korean War has become a phenomenon—reducing hardened generals to tears and redefining what a "war hero" looks like. It is 1950. The Korean Peninsula is frozen and bloody. Süleyman Dilbirliği (played with aching tenderness by İsmail Hacıoğlu) is a young Turkish brigadier serving under the UN Command. During the brutal Battle of Kunu-ri, Turkish soldiers are tasked with holding the line against waves of Chinese forces.
The film won the Yeşilçam Award for Best Film and was Turkey’s official submission to the Oscars. But its true legacy is the reunion it inspired. Süleyman Dilbirliği passed away in 2019, but only after Ayla—now a grandmother herself—had moved to Turkey to live with his family. Ayla- The Daughter of War
While clearing a destroyed village, Süleyman hears a whimper. Buried under the frozen corpses of a Korean family is a five-year-old girl, malnourished, mute with trauma, and clutching her dead mother’s hand.
Süleyman does not try to fix her with psychology. He fixes her with socks. (2017) is that film
Director Can Ulkay deliberately shot the war scenes in desaturated grays and blues, but every scene with Ayla is flooded with golden, warm light. It is a visual metaphor: The child is the only color in a world gone monochrome.
Ayla is not a war film. It is a love film. It will remind you that amidst the worst of humanity, a single act of kindness can echo across sixty years and two continents. But in Turkey, and now across the globe
Streaming on: Netflix Warning: Keep tissues nearby. Multiple boxes. Post-Credits Note: The real Ayla (now known as Ayla Dilbirliği) still lives in Ankara, Turkey. She tends to the grave of Süleyman every week. When asked what he taught her, she smiles and says: "That family isn't blood. Family is whoever doesn't let go."