Charles Bukowski (1920–1994) remains one of the most raw, controversial, and imitated voices in 20th-century American literature. He was a cult figure who became a mainstream success, a poet who wrote like a drunk on a bender, and a novelist who turned the ugly, mundane corners of Los Angeles into epic poetry.
To approach Bukowski’s bibliography is not to seek refined prose or uplifting themes. It is to confront the bleary-eyed, bloody-knuckled reality of the alcoholic, the down-and-out, and the postman. His work is semi-autobiographical, chronicling the alter-ego through decades of low-rent hotels, dead-end jobs, and horse races. charles bukowski books
His books fall into three distinct categories: the raw poetry of his youth, the legendary Chinaski novels of his middle age, and the posthumous flood of collected works. Here is a proper guide to the essential Bukowski library. If you read nothing else, read these four novels. They form the spine of Bukowski’s literary legend. 1. Post Office (1971) The Gateway Drug. Bukowski was 51 years old when this, his first novel, was published. Legend has it that his publisher, John Martin of Black Sparrow Press, offered him a $100 monthly stipend to quit the post office and write full-time. Bukowski wrote Post Office in three weeks. Charles Bukowski (1920–1994) remains one of the most
The novel is a viciously funny and soul-crushing account of Chinaski’s decade-long career as a mail carrier and clerk. It contains every Bukowski trademark: the hatred of authority, the search for cheap wine, the desperate affairs, and the gallows humor of a man who realizes the American Dream is a lie. “The post office is a brutal institution,” he writes. It remains the perfect starting point. The Wander Years. Chronologically, Factotum precedes Post Office . It follows Chinaski as a young man drifting across 1940s America, taking menial jobs (a factotum is a handyman of all work) only long enough to earn money for a bottle and a room. He works in a bicycle factory, a dog biscuit plant, and a slaughterhouse—fired from almost all of them. It is to confront the bleary-eyed, bloody-knuckled reality
This is the most existential of his novels. It is not about rising up, but about staying afloat