The answer is: you don’t. You evolve.
For fans of the original, the show is a warm, familiar hug—with a few sharp elbow jabs to the ribs for good measure. The returning voices of Crews and Arnold act as an anchor, while Chris Rock’s narration is as brilliant as ever. For newcomers, the show is a perfect entry point: a self-contained, animated comedy about the universal hell of being 13, no matter the decade.
Having watched all ten episodes of Season 1 (which premiered in late 2024), the answer is a surprising, emphatic yes . Everybody Still Hates Chris – Season 1 is not a lazy cash-grab. It is a masterclass in adaptation, using the freedom of animation to amplify the show’s core themes while retaining the heart that made the original a classic. It’s sharper, faster, and visually more imaginative, but at its core, it’s still the story of a lanky, good-hearted kid trying to navigate a world that seems determined to knock him down a peg. The premise remains unchanged. It’s the early 1980s. Chris (voiced with perfect adolescent weariness by Tim Johnson Jr.) is a teenager growing up in a working-class family. His father, Julius (Terry Crews, reprising his role from the live-action series in voice only, with booming energy), is a master of financial austerity, turning off water heaters and re-gifting jelly of the month club subscriptions. His mother, Rochelle (Tichina Arnold, also returning), is the fierce, no-nonsense anchor of the family, whose love is expressed through threats and impeccable hair. Everybody Still Hates Chris - Season 1
is a Julius-centric masterpiece. When the family fridge dies, Julius declares it a “luxury appliance” and tries to build a cooling system using a window AC unit, duct tape, and a styrofoam cooler. The animation stretches into absurdist territory, showing Julius’s plan as a Rube Goldberg machine of disaster. It culminates in the kitchen flooding with soapy water, while Rochelle stands silently with her arms crossed—a pose that Tichina Arnold’s animation team has rendered with terrifying, divine precision.
The key difference? The entire world is now rendered in vibrant, 2D animation. The move from live-action to animation is not merely cosmetic. It allows the show to break the constraints of a traditional sitcom set. In one episode, Chris’s anxiety about a school dance manifests as a full-blown Godzilla movie parody, with a giant, monstrous version of his crush, Tasha, stomping through a miniature Brooklyn. In another, Julius’s internal monologue about saving money turns the living room into a game show called “Beat the Bill,” complete with spinning wheels and confetti. The biggest risk of any revival is recasting. The original cast—Tyler James Williams (Chris), Terry Crews, Tichina Arnold, Tequan Richmond (Drew), and Imani Hakim (Tonya)—are icons. How do you replace them? The answer is: you don’t
His younger brother, Drew (Ozioma Akagha), is effortlessly cool, handsome, and popular—the golden child Chris can never compete with. His little sister, Tonya (Terrence Little Gardenhigh), remains a chaotic agent of mischief, capable of destroying Chris’s life with a single, well-timed lie to their mother. And then there’s Greg (Gunnar Sizemore), the nerdy, neurotic best friend whose obsessive love for sci-fi and fear of everything provides the perfect foil to Chris’s reluctant heroism.
So, when Paramount+ and CBS Studios announced Everybody Still Hates Chris , a reimagined, animated sequel series, the collective eyebrow of the internet raised. Did we need this? Could a cartoon capture the specific, grounded magic of the original live-action show? The returning voices of Crews and Arnold act
For 22 years, the name “Chris Rock” has been synonymous with a specific kind of cringe-worthy, laugh-out-loud nostalgia. From 2005 to 2009, Everybody Hates Chris ran for four seasons, adapting the teenage years of the comedy legend into a stylized, sitcom version of 1980s Bedford-Stuyvesant, Brooklyn. It was a show that balanced the poverty of Roseanne with the surreal narration of The Wonder Years , all filtered through Rock’s uniquely sharp, observational wit. When it ended, fans mourned a classic.
The creative team made the brilliant decision to keep Crews and Arnold on board as the voices of Julius and Rochelle. Hearing their voices come out of animated characters is an immediate emotional shortcut back to the original series. Crews, in particular, thrives in voice acting, his larger-than-life personality perfectly suited to Julius’s hyperbolic frugality.