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George Strait

Goal--: The Dream Begins.epub

George Strait Album: “Lead On”
Description :
Personnel: George Strait (vocals); Brent Mason (acoustic & electric guitars), Paul Franklin (steel guitar); Steve Nathan (organ, synthesizer), Glenn Worf (bass); Eddie Bayers (drums); Curtis Young, Liana Manis (background vocals). <p>Everyone loves George Strait. From country fans to rock critics, George Strait is singled out as the PURE country artist. On LEAD ON, his admirers have new reason to follow. <p>His unadulterated country sound, awash in steel, fiddles and clean guitar picking, is swept by the deep waves of his distinctive Texas baritone. From the cajun dance beat of "Adalida" to the maxi-traditional "I Met A Friend Of Yours Today," Strait runs the gamut of tasty and tasteful country. No filler, no radio junkfood, just a lesson to all the wannabes, this is Country Music 101. <p>"Nobody Gets Hurt," by Jim Lauderdale (a Strait favorite) and Terry McBride, is a contemporary country classic with an old-time bass shuffle that makes it sound warmly familiar. "Down Louisiana Way" sounds like a frisky Lucinda Williams cover. "The Big One" is classic Straitabilly, an unobtrusive marriage of rock and country. "Lead On" is a gentle ballad, with dead-on delivery and phrasing. <p>Every cut is restrained, no excesses, but there's no holding back either. The tear in Strait's beer is as salty as any other country singer, and when he hurts you hear the sting. LEAD ON is like a greatest hits package: diverse, familiar, and of the highest quality. Only George Strait can pull off such a feat with ten new songs.
Customers Rating :
Average (4.7) :(13 votes)
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Track Listing :
1 You Can't Make A Heart Love Somebody Video
2 Adalida Video
3 I Met A Friend Of Yours Today Video
4 Nobody Has To Get Hurt
5 Down Louisiana Way
6 Lead On
7 What Am I Waiting For
8
9 I'll Always Be Loving You
10 No One But You
Album Information :
Title: Lead On
UPC:008811109226
Format:CD
Type:Performer
Genre:Country - Contemporary Country
Artist:George Strait
Guest Artists:Steve Gibson; Stuart Duncan; Matt Rollings; Buddy Emmons
Producer:Tony Brown; George Strait
Label:MCA Records (USA)
Distributed:Universal Distribution
Release Date:1994/11/08
Original Release Year:1994
Discs:1
Recording:Digital
Mixing:Digital
Mastering:Digital
Mono / Stereo:Stereo
Studio / Live:Studio
Customer review - February 06, 1999
3 of 3 people found the following review helpful:
- An overlooked good record

George's Strait discography has always been consistently good. This CD was never much in light, but it is excellent, with even a few gems like the cajun-flavored "Adalida", and the moving "Down Louisiana Way" which were not included in his fabulous box-set. Buy and listen. Paul LeBoutillier

Jonathan Lammert - June 08, 2000
2 of 2 people found the following review helpful:
- Pretty good album that was overlooked

The first thing I noticed was this was the first Strait album with lyrics included in the liner notes, which was nice of them to finally do.

My favorite songs on this one are Nobody Has To Get Hurt and I'll Always Be Loving You. Both have solid melodies and choruses that practically force you to sing along. Nice, creative idea on Nobody. Lead On is very The Chair-ish, as both do great jobs at examining the initial stages of a relationship. You Can't Make A Heart delivers an impressive and overlooked message, and I Met A Friend relates a realistic scenario to the meltdown of a couple.

Adalida and Big One are songs that start to get away from him a few times, with Adalida being perhaps the only substance-free song on the album. George's weakest songs have always been at least listenable and above average. This applies to What Am I Waiting.

Overall, this is a solid album, but lacks the one gotta-have, instant-classic tune that many of Strait's other albums possess.

"daryl28" - July 17, 2000
1 of 1 people found the following review helpful:
- One Of George's Best Albums.

I Like This Album. It Was Released In The Fall Of 1994. The Lead-Off Single "The Big One" Went Strait To Number 1. So Didn't "You Can't Make A Heart Love Somebody". The Title Track Is Also Another Love Balled. Buy This CD Today.

Annie Keif "Annie" (Vermont) - March 26, 2010
- Great CD

I really enjoy George Straits music and I do intend to get more of them as soon as I can

R. Spencer "Rob" (London, England) - February 05, 2005
- A very good album for the most part

Goal--: The Dream Begins.epub

One of the most compelling sections addresses the problem of emotional resistance. GOAL acknowledges that fear of failure is often a mask for fear of success—the anxiety of leaving one’s comfort zone, even when that zone is cramped or unhappy. The author reframes obstacles not as stop signs but as data. Every setback reveals a weakness in the plan, not in the person. This cognitive shift is crucial: it moves the reader from shame-based thinking (“I’m lazy”) to solution-based thinking (“My system lacks a morning routine”). In this way, the book doubles as a gentle therapy for perfectionism.

Ultimately, GOAL: The Dream Begins succeeds because it respects a fundamental truth: clarity is kindness to the future self. By transforming the nebulous mist of aspiration into the sharp geometry of a plan, the book gives readers a mirror in which they can see not who they are, but who they are choosing to become. And that, the author suggests, is where every real dream begins—not in the clouds, but on paper, with a deadline. GOAL-- The Dream Begins.epub

The final chapters circle back to the title’s hidden promise: the dream does not end with achievement. Each accomplished goal is merely the birth of a larger dream, a higher standard. The author encourages a “goal cascade,” where completion of one objective automatically generates the next, creating a perpetual cycle of growth. Life, in this view, is not a ladder with a final rung but a spiral staircase of ever-expanding possibility. The book closes not with a conclusion but with a blank page—the reader’s own first goal, waiting to be written. One of the most compelling sections addresses the

The book opens with a deceptively simple premise: most people confuse wishes with goals. A wish is passive, ethereal, and untethered from accountability. A goal, by contrast, is written, timed, measurable, and vulnerable to failure. The author dismantles the romantic notion that success springs from talent or luck alone. Instead, GOAL presents empirical clarity as the true catalyst. The first step—naming the goal in precise language—is framed as an act of exorcism, removing the vagueness that protects fear. By insisting that readers write down their objectives, the text transforms an internal whisper into external evidence of intent. Every setback reveals a weakness in the plan,

Structurally, the book mirrors the very process it preaches. Each chapter functions as a milestone: breaking large ambitions into daily tasks, identifying obstacles, enlisting accountability partners, and scheduling regular reviews. This modular approach serves a dual purpose. On a practical level, it prevents overwhelm by shrinking the monstrous “someday” into the manageable “today.” On a psychological level, it builds self-efficacy. As readers check off small steps, they accumulate proof of their own competence—a silent rebuttal to the inner critic who insists they lack discipline or direction.

Yet GOAL: The Dream Begins is not without its potential blind spots. In its fervor for action, it risks oversimplifying structural barriers such as poverty, illness, or systemic discrimination. The implicit promise—that clear goals will overcome all resistance—can feel naive when applied to lives with scant resources or chronic trauma. A more nuanced edition might acknowledge that for some, the “dream begins” only after survival is secured. Nevertheless, within its intended audience of motivated individuals seeking personal productivity, the book’s logic remains sound.

In an age of endless distractions and fleeting ambitions, the slim but potent volume GOAL: The Dream Begins arrives not merely as a book, but as an architectural plan for the human will. The very title suggests a narrative arc: a goal is not an endpoint but a genesis. Through its pragmatic structure, psychological insights, and urgent tone, the text argues that the act of setting a goal is the single most transformative moment in a person’s life—the point at which a dormant dream acquires the tensile strength of a plan.

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