Kaori's breath caught. Her left hand twitched inside the glove, a moth against a windowpane.
She moved a silver general in her head. 27. Silver to 4c.
The old prefectural library stood at the edge of the abandoned tram line, a granite mausoleum of a building with gargoyles that had eroded into featureless blobs. The chains on the gate had been cut. Not recently—the rust on the fresh break was already orange—but cut nonetheless. The gate swung inward with a sigh.
Kaori stepped through. The rain immediately soaked through her cardigan, but she did not shiver. Her mind was already arranging the pieces on the board of the library's foyer: marble floor (81 squares if you counted the tiles), a collapsed information desk (rook, immobilized), a staircase spiraling upward (lance, threatening). Kaori Saejima -2021-
Kaori Saejima.
She had not received a letter in seven years. Not since the hospital bills started arriving in her dead mother's name. She picked it up with her right hand, turning it over. The seal was a crimson wax droplet stamped with a character she did not recognize: 雨 —rain.
Kaori was thirty-four. Once, she had been a child prodigy of the shogi circuit—the "Lioness of Kyushu," they called her after she defeated a reigning grandmaster at sixteen. But that was before the accident. Before the tremor in her left hand made it impossible to place a piece without knocking over three others. Before her mother’s funeral, which she watched through a hospital window, her jaw wired shut after a seizure sent her down a flight of concrete stairs. Kaori's breath caught
The apartment was silent save for the arrhythmic drip from a leak in the corner, where a red plastic basin collected rainwater. On the low table in front of her, beside the empty chessboard, lay a single white envelope. It had arrived that morning, slipped under the door by the landlady, who never looked Kaori in the eye.
The rain had not stopped. It would not stop for three more days. The old prefectural library had been condemned in 2019—mold, structural decay, a stairwell that led nowhere. She knew because she had walked past it once, two years ago, on the anniversary of her mother's death. The gates were chained. The windows were boarded. A sign in faded red paint read: DANGER. KEEP OUT.
"You're not real," Kaori said. Her voice was a rasp she barely recognized. "I made you up." The chains on the gate had been cut
Outside, the rain fell on Nagasaki like a held breath finally released.
It was 2021. The world had learned to live with the quiet hum of absence.
Inside, a single sheet of heavy, cream-colored paper. The message was brief:
The envelope had no return address. Just her name in calligraphy so precise it looked printed.