Welcome to the home of the Star Trek: Voyager fanfiction series Fifth Voyager. It is based on the premise that every time a decision has to be made or time travel alters the past, a new alternate dimension is created for the changes to play out in. The change that separates Fifth Voyager and Star Trek: Voyager lie in the new characters.

Here is where you'll find all of the completed stories/episodes of the series in chronological order. The series is divided into two; the main seasons and the three prequel seasons titled "B4FV". You can start anywhere you like, of course.

If you'd prefer to read the main seasons first/only OR read the seasons in the order they were originally released, start with Aggression in Season One.

Here's the simplest "release order" I can think of which avoids the most spoilers;

Shu Nu Gang Men Jue Xing 7 -shu Nu Xxx- 〈Premium〉

The actor stammered. The clip gained 500 million views in 24 hours.

The Gloved Revolution

They taught a generation of young women that entertainment wasn't just about looking pretty for the camera. It was about owning the camera, the studio, the distribution deal, and the narrative.

And when the patriarchs of the industry finally tried to have a meeting to figure out how to stop them, they found Lin Wei already sitting in the chairman’s chair. shu nu gang men jue xing 7 -shu nu XXX-

In The Boardroom , three Shu Nu Gang members sat at a polished mahogany table. Celebrities, tech moguls, and even politicians would come as guests. They weren't there to sing or play games. They were there to be interrogated.

They became the watchdog of the entertainment world.

Shu Nu Gang never became pop stars. They never danced on variety shows or sold yogurt endorsements. But they became the power brokers of popular media. The actor stammered

Within a week, the streaming platform reversed its decision. The investor's son quietly deleted his social media.

A major streaming platform tried to cancel the third season of The Boardroom , claiming "creative differences." In reality, a powerful investor’s son had been featured in a segment about "Nepotism in Cinema."

But Shu Nu Gang played the long game. They launched their own media outlet: The Glove (a nod to the polite, metaphorical glove slap of a duel). It was about owning the camera, the studio,

"Ladies," she said. "When they erase you, you don't scream. You write."

The traditional media—the glossy magazines and state-backed entertainment news—initially hated them. "Too aggressive," one critic wrote. "Unfeminine," another sneered.

A "Shu Nu Gang cameo" became the industry standard for legitimacy. If you survived an interview with them, the public trusted you. If they featured your film on The Glove , it was guaranteed to sell out.

The documentary didn't attack the platform. It simply detailed the history of censorship in Chinese media, juxtaposed with interviews from retired actresses who had been "disappeared" from the industry for rejecting producers' advances.