“We see you.”
During the next live broadcast (a highly anticipated “comeback special” sponsored by a melatonin gummy brand), the girls didn’t sleep. They stayed awake. They pulled out their phones and streamed the audience . “We see you
Sofi held up a mirror to the camera. “You’re the ones who can’t look away,” she said. Luna read the live chat aloud—every creepy, obsessive, or lonely comment. Marisol played a k-pop song backwards, revealing a hidden track that said: “Your attention is not love.” Sofi held up a mirror to the camera
The premise was simple, voyeuristic, and strangely hypnotic: cameras installed in the bedrooms of three teenage girls—Luna, Sofi, and Marisol—showed them sleeping. No dialogue. No plot. Just the gentle rise and fall of blankets, the soft glow of phone screens left on, and the occasional murmur of a dream. Marisol played a k-pop song backwards, revealing a
The entertainment industry devoured them.
So they decided to flip the script.
Luna, 17, was a fencer who slept with her épée under her bed. Sofi, 16, was a horror fanatic whose nightlight was a looping GIF of a zombie from The Last of Us . Marisol, 18, was a k-pop stan who fell asleep every night to Chasing That Feeling by Tomorrow X Together. The show’s tagline was: “Where their dreams end, your entertainment begins.”